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Författare:Simon Rybrand

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    Sustainability

    We can talk all we like about recycling and sustainable agriculture, but population is the issue that really matters. Yet it is the one on which so many people are silent. We have made the human right to reproduce unchallengeable: to do so is either to be eugenicist or – as with China’s one-child policy – repressively authoritarian. But sooner or later we have to do something. No matter how much recycling we do, how much renewable energy we create, and how much better we become at producing food, there has to come a time when the world’s population makes the planet unsustainable. The pressure on resources is being maintained at both ends of the spectrum: not only are more babies being born, people are living longer and longer.

    What is implied here? 

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    Recession

    Economists usually try to solve problems by tinkering with things and making them more complicated. That is because it often works – until, suddenly, it doesn’t. The Nobel Prize winner Paul Krugman, who is a specialist in recessions, takes us through the history of why they happen. It is always because people devise an ingenious way to make what appears to be free money and nobody understands the consequences until it is too late. There is, it turns out, no such thing as a free lunch. The entire edifice of capitalism is based on capital – which is really just another word for confidence. If people believe your confidence to be authentic, the risk you take is likely to be small. But as soon as people think you are bluffing, they panic – and panic destroys wealth faster than confidence can ever increase it.

    What are we told about recessions?

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  • New Orleans

    When Hurricane Katrina hit New Orleans in late August 2005, the city and its people suffered wounds that are still healing. While the rebuilding efforts continue apace, everyone seems to agree that the city that eventually emerges from the wreckage will be very different from the “old” New Orleans. But it was not just the physical city that was devastated by Katrina. Equally damaged was its carefully cultivated image as the city that care forgot. Shocked by the indelible images of the destruction wrought by the hurricane and its aftermath, the world was presented with an unsettling and unfamiliar vision of a city that it thought it knew well.

    For many years, New Orleans had traded on a painstakingly constructed sense of itself as a tourist town. Before Katrina, the city was famous the world over as one of America’s most beloved playgrounds, known for its food, its music, for Mardi Gras and the hedonism of Bourbon Street and for letting the good times roll. It was also a city that capitalised on its history – or, at least, selected highlights from its past.

    Whatever else it did, Hurricane Katrina tore away the city’s elaborate carnival mask and demonstrated that life in the Big Easy has not always been so. In stark contrast to its laissez-faire reputation, this 21st-century disaster evoked parts of the city’s hidden history, exposing a landscape that had long been scarred by repeated traumas. Indeed, though Katrina may have seemed a uniquely terrible event to modern eyes, it was a relatively characteristic moment in the history of a city used to extraordinary reversals of fortune. It was a reminder that catastrophe, adversity and rebirth had been part of the fabric of life in New Orleans since its foundation in 1718. Flood, fire, famine and war – New Orleans has seen it all.

    Beginning life as a small colonial backwater on the banks of the Mississippi River, traded between France and Spain and valued largely for its strategic location, New Orleans was acquired by the United States in 1803 as part of the Louisiana Purchase. It soon became one of the richest and most powerful cities in the US, made prosperous by the cotton trade and its status as the home of the largest slave market in the South.  By the mid-19th century, New Orleans was internationally famous as the imperious, opulent, cosmopolitan Queen of the South.

    That success, however, came at significant cost, since the city’s rise took place against a backdrop of repeated disasters and an almost constant sense of flux. Partly this was a result of its location. Or, as New Orleans Mayor Marc Morial put it in 2001: ‘This was a lousy place to put a city.’ Unsurprisingly, therefore, the city’s particular relationship with catastrophe has long been proverbial.

     As bad as hurricanes and conflagrations and potential slave rebellions could be, perhaps no single threat was more pressing and more characteristic of 19th-century New Orleans than disease. In the years before the Civil War, New Orleans had the highest mortality rate in the United States. Cholera carried away nearly 5,000 people in 1832 alone. More terrifying still were the periodic visitations of yellow fever. The city suffered multiple outbreaks of the disease from the late 18th to the early 20th century, but it was in the middle of the 19th century that the worst incidents took place.

    In countless ways, the previous traumas in the life of New Orleans prefigured the ways in which the evils of Katrina and its aftermath unfolded. Indeed, what the events of 2005 also revealed was the degree to which, even before Katrina, this was a city marked by disaster. While 21st-century New Orleans may not have been bothered by repeated yellow fever epidemics, it was certainly plagued by the highest per-capita murder rate in America – an accolade, unfortunately, that the city currently looks set on reclaiming.

    Yet, if this modern moment of devastation evokes past disasters, it also brings to mind previous moments of rebirth for the city. The continued existence of New Orleans is a story of survival against the odds and repeated renewals. Of course, this new beginning is tinged with tragedy. That there have already been profound problems with the rebuilding effort is clear for all to see. That those problems have been unfairly spread is equally evident; a recent study showed that the city’s neighbourhoods are now more segregated than they were before Katrina.

    The seemingly inevitable cycles of death and rebirth might be woven into the fabric of New Orleans’ history and, as an incident like the BP oil spill highlighted, there is little doubt that a city in such a ‘lousy place’ is likely to face hard times again. But as the process of rebuilding continues, this might at least be the moment to lay some ghosts to rest.

    Thomas Ruys Smith, History Today

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    What is said in relation to the way New Orleans has presented itself to visitors? 

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    What are we told in relation to New Orleans’ “particular relationship with catastrophe”?

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    What is implied about different kinds of disasters in 19th-century New Orleans? 

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    Which of the following statements about the per-capita murder rate in New Orleans is most in agreement with the text?

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    What is the writer’s main point in connection with New Orleans and Hurricane Katrina?

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  • Music and Mind

    Nearly 20 years ago a small study advanced the notion that listening to Mozart’s Sonata for Two Pianos in D Major could boost mental functioning. It was not long before trademarked “Mozart effect” products appealed to neurotic parents aiming to put toddlers on the fast track to the Ivy League. Georgia’s governor even proposed giving every newborn there a classical CD or cassette. The evidence for Mozart therapy turned out to be flimsy, perhaps nonexistent, although the original study never claimed anything more than a temporary and limited effect. In recent years, however, neuroscientists have examined the benefits of a concerted effort to study and practice music, as opposed to playing a Mozart CD or a computer-based “brain fitness” game once in a while. Advanced monitoring techniques have enabled scientists to see what happens inside your head when you listen to your mother and actually practice the violin for an hour every afternoon. And they have found that music lessons can produce profound and lasting changes that enhance the general ability to learn. These results should disabuse public officials of the idea that music classes are a mere frill, ripe for discarding in the budget crises that constantly beset public schools.

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    What are we told about the “Mozart effect”?

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    What is said about music and learning?

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    The Impostor Phenomenon

    The impostor phenomenon is defined as the mistaken feeling that one’s successes are unearned and that at any moment the charade could end. The emphasis is on “mistaken” – these people are not really frauds. Or are they? Researchers asked this question recently. They studied how often self-defined impostors engaged in plagiarism and other types of dishonest behavior. Their results supported the original idea that the fraudulence is all in their head; the supposed impostors reported on a survey that they cheated less often than control subjects who did not have impostor feelings.

    What is said about the people described in relation to the impostor phenomenon?

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Videor som är lätta att förstå Övningar & prov med förklaringar
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Videor som är lätta att förstå Övningar & prov med förklaringar
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Påminn din lärare om att förnya eller fortsätt plugga med Eddler på egen hand.
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Elever/Studenter Lärare Föräldrar
Din skolas prenumeration har gått ut!
Förnya er prenumeration. Kontakta oss på: info@eddler.se